سيمياء اللون المفرد في شعر هزبر محمود
Abstract
لقد عالج البحث سيمياء اللون المفرد في شعر هزبر محمود، وذلك من خلال تتبع حضور الألوان في نصوصه بوصفها علامات تحمل دلالات نفسية وجمالية وثقافية، ولا تقتصر هذه العلامات على الوظيفة الوصفية؛ بل تمتد إلى التعبير السيميائي، وقد ركز البحث على ثلاثة ألوان أساسية : الأزرق، الأحمر، والأصفر، وتعرف هذه بالألوان المفردة؛ لأن المزج بينهما ينتج طيفاً واسعاً من الألوان الثانوية، مما يمنحها مكانة خاصة في التكوين البصري والدلالي، وتبرز هذه العلامات قدرة الشاعر على توظيف الألوان المفردة في تشكيل شبكة دلالية وتسهم في بناء النص الشعري بوصفه خطاباً غنياً بالرموز والدلالات من دون الارتكاز إلى منهج سيميائي إجرائي بل عبر قراءة اللون بوصفه علامة تنفتح على مستويات متعددة من المعنى
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